异端 — HD

Didier Konings’ :#s%
immering!/ med*`#`iaeval;# horror %.Wit)te Wieven+ explor;,es the con+! fluen #ce o [f r$e! ligion and pat,riarchy in an ex+cessive;ly puritani
_]ca*l Du*!%tch vi[ lla*$ge. _ Bl$a:med:;
 b#%y her_ community )(f+or be#ing *\childless, Frieda 
*immerses herse /#lf in prayer and ri-tual. When she /==ret%^
urns unscathed from the forb$)i\dden forest surround(-i[?ng the vill%`-age,
\ having evaded a lecherous butcher, !she is con=/demned a[.s an agen)t of the ?devi+]=l. Frieda, how%? ever, ? finds new faith i
*n the );=#dark powers tha #t i[.=$n_%_@`habit the w(;o(^ods.　　Shot in a reduced (= colour% p \alette-`\[ at the e[dge of visi\$bility, Konings’ gripp\#)in,g film ;const\%?ructs a convincin_!,:g pre-*mod/ern society w
/hose pr]+ac]!ti-@ces it e%lucidate)s wit]h patience and att ;]-ention. Alth;:ough set @in%, the Middle `
Ages, W=
] itt[!e Wiev
en displays an  unmistakabl #y *co_-ntem_]=porary sp#-;ir :;it, cra*fting a fe ^)minist parab$`le abo\/ut women disco!ver ?in*)g new $w!??/a\ys of _-,understanding their@ +liv!/es and @; the w!(!?o,^%\rld.