《恩培多克勒之死》讲述的是什么故事？
《恩培多克勒之死》The s;ubject $ !of Da n$;ièle ,Huille(t and J$ \ean-Ma, rie Stra ;ub’s D]/ _er Tod,* des Empedokles (The- Death , of Empedocles, 19 87) is the Gree_! k pre-Socra :?_tic ph;)ilosophe^ r Empedoc)les (c. 4^?9 :0 BC – 43/ 0 ;BC), who lived*@, in the ]#Greek colon+y^ of@ Agri`=;gen!.+,tum in Sicil^;y. His theories are men :ti$(oned in severa.@l of Plato’s dialogu!es $. He mai/ ntai .ned that, all matter is m / ade u#)p)/ ^!+o:;]f four irreduc;i*= ble eleme$@ nts wa!!ter,- earth, air and?]. fire. `$A[=] _mystic and a p*oet, ??he is c,onside(red t)o be=) the founder ;?of: classical rhet=%or(+i=c.- He/ =^ is a- _ls + o[ % /!$/tho=;ug) *ht to [= be the!% %* las+.=t Greek phil _osopher to write i -n ver -se; ]?.tw=o fragments o!%f [his] work% s s,urvive Ka#]tharmoi / %(Purifications) and Pe=%ri P*.hus (eô=,_s (On Na t,)ur ),e). ^;\ (An ad^*vocate * $ o-_(? f ` democ]racy, h=%e came into), c*=on fl )i) ,ct w i th his fell( o: w +cit(^izens of Agrige)n ?tum and,,, as resu, lt, wa:(,s ban+==ished with his young discip#!!le, Pausanius. When he was asked to retu* ^rn, he?:( preferred to commit ^ _ ] suicide by thro-win!^g him[se lf into t,he ac-tive vol=]]/can +o at Mount Aetna. The G%erma./n /writer Frie,drich /Hö?ld )erli / %n wr:ote t!]^(wo versio.(-ns!+ of Der Tod des E mpedo:kle s in [ 17;98 a]]n `d 1800, a?n( :d a final third@` )version in 1820, all thre;e ultimately + unfin#i=[ .sh] .ed. The +y were]=( /con ceived!=+ ) as five-act t: ragedies #+and all thr\ ee;: differ in plot. Ac-=co(rding to #Michael:/) Hamburge#,:r ^#., Höl;derlin’s Englis[h-language t^)=%ranslator, the? main reason why Höld] _erl#`#;in finis^ hed no versi-`on[ of; the pl ay m;=ust be that !/he remained t (oo clo#- / sely identified )wi #`th E/,*:mpe [do%cles_), at+ \_th* ^!e ve_/ry perio@ d in his life when `*]h.!^[i [$s own v iew of the poet as ph+ilosopher, prophe-^*\t a=\+nd priest – an=d as ^tragic hero: – was:= subj$+ect to perpetual crisis and :,^) re--examination. Huillet-Straub’s / _/The Dea#$]th of` Empedo .cles is based on Hölderl-:%?in’s firs t versi^on (t``-he longest of the thre)e), wh ereas Bla_:ck Sin is;%= based on#_ the third @vers +i# on.
一、《恩培多克勒之死》是哪一年上映的？
《恩培多克勒之死》是达尼埃尔·于伊耶,让-马里·斯特劳布于1987年拍摄的一部经典剧情片。此片开创法国当代剧情片的先河，《恩培多克勒之死》上映时票房稳坐前三，创下当年纪录。当时威廉姆·伯格,Georg,Brintrup,霍华德·沃侬均为最佳主角，威廉姆·伯格,Georg,Brintrup,霍华德·沃侬以精彩演技和突出形象，奠定在法国影坛地位。威廉姆·伯格,Georg,Brintrup,霍华德·沃侬饰演角色造型多年后仍为人所模仿。达尼埃尔·于伊耶,让-马里·斯特劳布之前曾被人怀疑其能力，而《恩培多克勒之死》却奠定达尼埃尔·于伊耶,让-马里·斯特劳布剧情片风格。《恩培多克勒之死》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1987年代）法国（法国）优秀剧情片齐名。
二、被称为剧情片的开先河之作的《恩培多克勒之死》，是达尼埃尔·于伊耶,让-马里·斯特劳布最好的作品吗?
从达尼埃尔·于伊耶,让-马里·斯特劳布斩获剧情片最佳导演 我就觉得这部《恩培多克勒之死》是他最好的剧情片。虽然达尼埃尔·于伊耶,让-马里·斯特劳布后来还拍出来了评价特别好的剧情片，但是《恩培多克勒之死》是他剧情片的代表作品。
三、《恩培多克勒之死》为什么可以成为经典？
提起法国，人们就肯定会说出《恩培多克勒之死》的名字。这部由达尼埃尔·于伊耶,让-马里·斯特劳布导演，威廉姆·伯格,Georg,Brintrup,霍华德·沃侬主演的《恩培多克勒之死》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连达尼埃尔·于伊耶,让-马里·斯特劳布导演和威廉姆·伯格,Georg,Brintrup,霍华德·沃侬，都没想到这部剧情片会得到这样好的反响。达尼埃尔·于伊耶,让-马里·斯特劳布先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《恩培多克勒之死》开拍之前，威廉姆·伯格,Georg,Brintrup,霍华德·沃侬已经有几年年无戏可拍，而威廉姆·伯格,Georg,Brintrup,霍华德·沃侬主演的剧情片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在剧情片中投入的热情，是我们难以想象的，其实《恩培多克勒之死》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典剧情片，也成就了他们自己！
四、如何评价《恩培多克勒之死》?
《恩培多克勒之死》口碑非常好深受广大观众喜爱，《恩培多克勒之死》一经播放立刻引来无数人点赞，不仅威廉姆·伯格,Georg,Brintrup,霍华德·沃侬演的好而且该剧情片故事情节也非常紧凑，超人影院-免费看电影电视剧的网站-最新影视大全在线观看（superprimeestates.com）观看起来特别流畅同时还能扣人心弦，虽然目前《恩培多克勒之死》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧情片主演威廉姆·伯格,Georg,Brintrup,霍华德·沃侬，她在该剧情片中的演技可圈可点，受到威廉姆·伯格,Georg,Brintrup,霍华德·沃侬演的好而且该剧情片迷的认可。
五、《恩培多克勒之死》剧情片的主要内容
《恩培多克勒之死》是一部剧情片剧情片，由导演：达尼埃尔·于伊耶,让-马里·斯特劳布执导，主演：威廉姆·伯格,Georg,Brintrup,霍华德·沃侬
《恩培多克勒之死》The s;ubject $ !of Da n$;ièle ,Huille(t and J$ \ean-Ma, rie Stra ;ub’s D]/ _er Tod,* des Empedokles (The- Death , of Empedocles, 19 87) is the Gree_! k pre-Socra :?_tic ph;)ilosophe^ r Empedoc)les (c. 4^?9 :0 BC – 43/ 0 ;BC), who lived*@, in the ]#Greek colon+y^ of@ Agri`=;gen!.+,tum in Sicil^;y. His theories are men :ti$(oned in severa.@l of Plato’s dialogu!es $. He mai/ ntai .ned that, all matter is m / ade u#)p)/ ^!+o:;]f four irreduc;i*= ble eleme$@ nts wa!!ter,- earth, air and?]. fire. `$A[=] _mystic and a p*oet, ??he is c,onside(red t)o be=) the founder ;?of: classical rhet=%or(+i=c.- He/ =^ is a- _ls + o[ % /!$/tho=;ug) *ht to [= be the!% %* las+.=t Greek phil _osopher to write i -n ver -se; ]?.tw=o fragments o!%f [his] work% s s,urvive Ka#]tharmoi / %(Purifications) and Pe=%ri P*.hus (eô=,_s (On Na t,)ur ),e). ^;\ (An ad^*vocate * $ o-_(? f ` democ]racy, h=%e came into), c*=on fl )i) ,ct w i th his fell( o: w +cit(^izens of Agrige)n ?tum and,,, as resu, lt, wa:(,s ban+==ished with his young discip#!!le, Pausanius. When he was asked to retu* ^rn, he?:( preferred to commit ^ _ ] suicide by thro-win!^g him[se lf into t,he ac-tive vol=]]/can +o at Mount Aetna. The G%erma./n /writer Frie,drich /Hö?ld )erli / %n wr:ote t!]^(wo versio.(-ns!+ of Der Tod des E mpedo:kle s in [ 17;98 a]]n `d 1800, a?n( :d a final third@` )version in 1820, all thre;e ultimately + unfin#i=[ .sh] .ed. The +y were]=( /con ceived!=+ ) as five-act t: ragedies #+and all thr\ ee;: differ in plot. Ac-=co(rding to #Michael:/) Hamburge#,:r ^#., Höl;derlin’s Englis[h-language t^)=%ranslator, the? main reason why Höld] _erl#`#;in finis^ hed no versi-`on[ of; the pl ay m;=ust be that !/he remained t (oo clo#- / sely identified )wi #`th E/,*:mpe [do%cles_), at+ \_th* ^!e ve_/ry perio@ d in his life when `*]h.!^[i [$s own v iew of the poet as ph+ilosopher, prophe-^*\t a=\+nd priest – an=d as ^tragic hero: – was:= subj$+ect to perpetual crisis and :,^) re--examination. Huillet-Straub’s / _/The Dea#$]th of` Empedo .cles is based on Hölderl-:%?in’s firs t versi^on (t``-he longest of the thre)e), wh ereas Bla_:ck Sin is;%= based on#_ the third @vers +i# on.