《总路线》讲述的是什么故事？
《总路线》Due]/% to s om e common `in$t$(%e=,^res\=ts be) tween G_ --erman and Russian aristoc #racy ( @the Russians eve ?n had a rist[ocrats in (th-eir@ past no+ t t^ o m[,ention :t hey had an Empre? ss ca$:lled Catherine the; Gr+eat,!# as gre%)at, as this G%?e/= rma!n count$'s hei \r :esses… ), it is not strange t?@hat this T\)=eutonic count# \has und] erstoo*d and ev^-:en+ enjo =yed H[` e/##rr S. .$)M. Eisenstei )^,n's Staroye I Novoye. _ It is no@ .t ver y u/_: sual t-^ hat f?[or the ar(`]ist=! @!o@ cracy to enjoy Bolshevist films full of proletarian de#= man d `*s that put private property at risk or as it) h] a##;pp#/^ens in t;[his$@) ::c@!a^+ s#e, a film about t* he =!C ?o$ mmu?*[%n@ist : Party's p o/licy on the subject,[ of the c+-\;ollectiviz(?%ation of th_^$e] Sov !=iet ];]^agriculture. Normally %^, this wou_.^*ld be !per# fect gibb) erish f ^o=!!`r this ;-^Germa_/*=n count, bu\\t thanks to Herr Eisenst/ #ei %n 's?- `=greatness %a,n )d ! directorial ta(,lent, t+ he hardships o#!f+! the hero? =ine of the# film%$-, Dame M?arfa.(] ( * Dame Marfa L_*?apkina ) b-\reached even/ the +; thick aris( %t.` @ocratic Schlos(_s# wall- ?_^s. And t +hat's one of the first remarkable as?!pects of this oeuvre?(; i )n spite of the political[) s u+bject; of t he fil(\m ,], ? ]the p owerful_ image`!s and lyric ism ( astoni) s! hing and beautif% [u@/l shot composit(=,ions ) ; \, -e:%specially ^ \during th _.e first -/!part\ of the mo:vie_`_, p^ reserve the; artistic[;/ !me]r[its en] %tirely while. ^serving a $p,r=+#opaganda purpose. The second re] ma=@r //kab;[le aspect of the f ilm is the dichotomy between the old an]d new, the f =ig_h@t to :i-mp]rove(= the$ l ot[[# of#. [Dame )Ma/$rfa and?- her c ountrymen. There are man!;!y d\? iscussion:!s because it i^s no?]t eas$?[#y even in ] Russia #to c;- `ha!\-n ge ancient a#nd )`co(. ns ervative customs. There ?#are sup,_erb`; m%,et `,ap hors and social criticism ( illiteracy, bureaucracy, religiosity) ) whic .=h$\ * perfectly f/::it the film, a+#/nd ( ;las` t b\,$ut no#t least ?, Star]o?$ye I Novoye, is a kind o];f archaic. documentary about ancient c+ u = /stoms est ablishe]-!d dee@ %(#ply^+ in old ] Russia, th # ]ose, one - s th%at our \[he _ro$;) ine must fight agai. nst [.(# And the re is also a lo ,t about ag!; r@ $iculture ( ^ v@er_ y`$ `e^%+?nli+ ?%ght*e:^*nin *g f or ^;this( German count), especial*)ly abou+(#t harves,ti+,ng @,;and,$ how to fatten =Russia[? !n cows or pigs ( literally,.[ n ;!o pun h .`er%e….$% ). +`* He -(rr Ei*/(?se$\* n=\ stein , ^had =* /\to bear $ (,during the last era of his f/+#ilm care;**`e+r ?, unbelie-#vabl* e censorsh!ip )and mutilat_#io+@ n o+/!!f his )]work#`, as happ(ens w (it/h ^%=S,%(tar_+oye I Nov/oye. T=;he film was_ reedited an d Eisenstein a!=ccuse$/d^ @ o: f s( ym)p_a?_`thizing with Trostk y's pol icies but fortunately the film wa^)\s restored and showed by the Ger^man^- [^.f ;re.nchified t \.v. c h=* annel ARTE=*, na*=tü-rlich!#\,, includi:, (ng an e[,voc$ative mus=\ ic score by Herr Taras ?+Bujewski=?, that fits superbly Herr Eisenst /ei[;n primal artistic). int)$erests.^ ?A: nd ,+ n `]@ow, if you'll allo_ w me,/ I must tempora]rily ta + ke my leave because this [-Germ# an Count must buy=( a tract\%or for o, !ne o%f his Teuto^nic hei #r![ess.
一、《总路线》是哪一年上映的？
《总路线》是谢尔盖·爱森斯坦,格里高利·亚历山德罗夫于1929年拍摄的一部经典剧情片。此片开创其它当代剧情片的先河，《总路线》上映时票房稳坐前三，创下当年纪录。当时Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev均为最佳主角，Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev以精彩演技和突出形象，奠定在其它影坛地位。Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev饰演角色造型多年后仍为人所模仿。谢尔盖·爱森斯坦,格里高利·亚历山德罗夫之前曾被人怀疑其能力，而《总路线》却奠定谢尔盖·爱森斯坦,格里高利·亚历山德罗夫剧情片风格。《总路线》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1929年代）其它（其它）优秀剧情片齐名。
二、被称为剧情片的开先河之作的《总路线》，是谢尔盖·爱森斯坦,格里高利·亚历山德罗夫最好的作品吗?
从谢尔盖·爱森斯坦,格里高利·亚历山德罗夫斩获剧情片最佳导演 我就觉得这部《总路线》是他最好的剧情片。虽然谢尔盖·爱森斯坦,格里高利·亚历山德罗夫后来还拍出来了评价特别好的剧情片，但是《总路线》是他剧情片的代表作品。
三、《总路线》为什么可以成为经典？
提起其它，人们就肯定会说出《总路线》的名字。这部由谢尔盖·爱森斯坦,格里高利·亚历山德罗夫导演，Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev主演的《总路线》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连谢尔盖·爱森斯坦,格里高利·亚历山德罗夫导演和Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev，都没想到这部剧情片会得到这样好的反响。谢尔盖·爱森斯坦,格里高利·亚历山德罗夫先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《总路线》开拍之前，Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev已经有几年年无戏可拍，而Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev主演的剧情片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在剧情片中投入的热情，是我们难以想象的，其实《总路线》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典剧情片，也成就了他们自己！
四、如何评价《总路线》?
《总路线》口碑非常好深受广大观众喜爱，《总路线》一经播放立刻引来无数人点赞，不仅Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev演的好而且该剧情片故事情节也非常紧凑，超人影院-免费看电影电视剧的网站-最新影视大全在线观看（superprimeestates.com）观看起来特别流畅同时还能扣人心弦，虽然目前《总路线》收视率一般但是该片目前受欢迎程度已经名列前茅。该剧情片主演Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev，她在该剧情片中的演技可圈可点，受到Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev演的好而且该剧情片迷的认可。
五、《总路线》剧情片的主要内容
《总路线》是一部剧情片剧情片，由导演：谢尔盖·爱森斯坦,格里高利·亚历山德罗夫执导，主演：Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev
《总路线》Due]/% to s om e common `in$t$(%e=,^res\=ts be) tween G_ --erman and Russian aristoc #racy ( @the Russians eve ?n had a rist[ocrats in (th-eir@ past no+ t t^ o m[,ention :t hey had an Empre? ss ca$:lled Catherine the; Gr+eat,!# as gre%)at, as this G%?e/= rma!n count$'s hei \r :esses… ), it is not strange t?@hat this T\)=eutonic count# \has und] erstoo*d and ev^-:en+ enjo =yed H[` e/##rr S. .$)M. Eisenstei )^,n's Staroye I Novoye. _ It is no@ .t ver y u/_: sual t-^ hat f?[or the ar(`]ist=! @!o@ cracy to enjoy Bolshevist films full of proletarian de#= man d `*s that put private property at risk or as it) h] a##;pp#/^ens in t;[his$@) ::c@!a^+ s#e, a film about t* he =!C ?o$ mmu?*[%n@ist : Party's p o/licy on the subject,[ of the c+-\;ollectiviz(?%ation of th_^$e] Sov !=iet ];]^agriculture. Normally %^, this wou_.^*ld be !per# fect gibb) erish f ^o=!!`r this ;-^Germa_/*=n count, bu\\t thanks to Herr Eisenst/ #ei %n 's?- `=greatness %a,n )d ! directorial ta(,lent, t+ he hardships o#!f+! the hero? =ine of the# film%$-, Dame M?arfa.(] ( * Dame Marfa L_*?apkina ) b-\reached even/ the +; thick aris( %t.` @ocratic Schlos(_s# wall- ?_^s. And t +hat's one of the first remarkable as?!pects of this oeuvre?(; i )n spite of the political[) s u+bject; of t he fil(\m ,], ? ]the p owerful_ image`!s and lyric ism ( astoni) s! hing and beautif% [u@/l shot composit(=,ions ) ; \, -e:%specially ^ \during th _.e first -/!part\ of the mo:vie_`_, p^ reserve the; artistic[;/ !me]r[its en] %tirely while. ^serving a $p,r=+#opaganda purpose. The second re] ma=@r //kab;[le aspect of the f ilm is the dichotomy between the old an]d new, the f =ig_h@t to :i-mp]rove(= the$ l ot[[# of#. [Dame )Ma/$rfa and?- her c ountrymen. There are man!;!y d\? iscussion:!s because it i^s no?]t eas$?[#y even in ] Russia #to c;- `ha!\-n ge ancient a#nd )`co(. ns ervative customs. There ?#are sup,_erb`; m%,et `,ap hors and social criticism ( illiteracy, bureaucracy, religiosity) ) whic .=h$\ * perfectly f/::it the film, a+#/nd ( ;las` t b\,$ut no#t least ?, Star]o?$ye I Novoye, is a kind o];f archaic. documentary about ancient c+ u = /stoms est ablishe]-!d dee@ %(#ply^+ in old ] Russia, th # ]ose, one - s th%at our \[he _ro$;) ine must fight agai. nst [.(# And the re is also a lo ,t about ag!; r@ $iculture ( ^ v@er_ y`$ `e^%+?nli+ ?%ght*e:^*nin *g f or ^;this( German count), especial*)ly abou+(#t harves,ti+,ng @,;and,$ how to fatten =Russia[? !n cows or pigs ( literally,.[ n ;!o pun h .`er%e….$% ). +`* He -(rr Ei*/(?se$\* n=\ stein , ^had =* /\to bear $ (,during the last era of his f/+#ilm care;**`e+r ?, unbelie-#vabl* e censorsh!ip )and mutilat_#io+@ n o+/!!f his )]work#`, as happ(ens w (it/h ^%=S,%(tar_+oye I Nov/oye. T=;he film was_ reedited an d Eisenstein a!=ccuse$/d^ @ o: f s( ym)p_a?_`thizing with Trostk y's pol icies but fortunately the film wa^)\s restored and showed by the Ger^man^- [^.f ;re.nchified t \.v. c h=* annel ARTE=*, na*=tü-rlich!#\,, includi:, (ng an e[,voc$ative mus=\ ic score by Herr Taras ?+Bujewski=?, that fits superbly Herr Eisenst /ei[;n primal artistic). int)$erests.^ ?A: nd ,+ n `]@ow, if you'll allo_ w me,/ I must tempora]rily ta + ke my leave because this [-Germ# an Count must buy=( a tract\%or for o, !ne o%f his Teuto^nic hei #r![ess.