《坐卧 两用室》讲述的是什么故事？
《坐卧 两用室》这是Richard Le ster最好;+ 的一个片。 An absurdist =@cl (ass!.ic Th!is is a wonderful s:%,@ urre_;a#[`l comedy ba sed o! n the pl:$a#y by Sp?)(ike Milliga).n`- and[^[ John Antrobus. You know that+ it is ;*\going ??to,. be an odd]^$ film ;right at the `+ begi nning, w.! *hen the open[ing credits l ist the%@ cas`)t@ in order $-\of their height. T)=he film b$$:egins \ with the BBC!. ^(F`.rank Thornto;][n) telling us th: * roug *h ^th$e f]ac?:.(a *:( d/ e of an@ ol d televis( ion th/# at th!!is is th; e thir ^ d, or ((is it* ,- :,the*% fo[@urth, a # nnivers -a_.ry of t#:he shor-/?t$e(st w\@!a r in history, la,\;sting 2 hours a$ ) $nd 28 m`inutes. ^Eng`land # @%is now a ba -rr* en*. landscape^! --, littered wi th derelict_! c* ?`@ars/*[ / , and ;$bui] l.dings, hills of=+ old boo+ts, ,broken crockery, and other debris. Forty milli)+ on p eople peris #hed .- a!)nd _^)there are only)^_ 2^0 k!*n, own survivors. The Qu?een did not s]`urv $/ive, and of`? the 20- know.n survivors the nex ? t@ =]: in l.\.ine for*- ,?the ;throne !-@is =-[a Mrs Ethe $ )l Sc^hroake of 393a H ! igh Stre#et, Leytonstone. Among# the other survivors are R` =alph Ric]^[ hardson (O Lucky Ma;; n!* )) as Lo$rd Fortn:`_um o)\f;, Alamein, who is::n't looking f$ \orwa+ rd to his impendi%*ng mutat$ion in $(to ; a bed sitting room. M+icha?el $++Horder ]n is Bules Martin, who wears ?a 18--$`car at H: #ovis br#ead !r)@,ing. Spi _-ke: Milliga.[n : is a postman( w ^ho wan de]] rs ;\, a-r$ound and deliver:s some m(:emor(=#ab le %dialo g ` ue?$, for+ examp@:/le And _` in come the three^/ bear;+#s - th%[e daddy bear said, 'Who's)# been sleeping in my porr] idg (e') / - %` #and ?th(e mumm y bear sa( id, 'that' s!% no porridge,)! that was ;( my wi ;fe' .; Arthur Lo) we ;i`?s s(+lowly turni\ng into a parrot (whic; h +\ is then e ^aten by :/Spike Milligan), wh,]`+i \le his=] wife, t,`he ow.#ner# .]of her o;`.^wn dea th certifica\#=te, t\#urns into a w_ardrobe. H ! is daugh;/(ter is pre?`gna=$,nt %=w^/;i t)[+@)h a stra nge creature, whic*@#h she has-. held $+ ins=ide ] _her for seventee+?n m?(onths. / Peter Coo \k ]and Dudley Moor$e are $a pair of policemen who+ perpet@_ua#?lly tell the \ others to keep moving,,!. Moore growl@+^s # a lot an`d turns@ into a dog at the end. Marty Feldman is a wellington-boot-)w@e @` arin g nurse. I=%t)%;!'s a hilari%.ous, absurdist treat,?: and %one of my tre asur;)_-e -d fi- lmic ple[ a`sures.
一、《坐卧 两用室》是哪一年上映的？
《坐卧 两用室》是理查德·莱斯特于1969年拍摄的一部经典喜剧片。此片开创英国当代喜剧片的先河，《坐卧 两用室》上映时票房稳坐前三，创下当年纪录。当时丽塔·塔欣厄姆,拉尔夫·理查德森,彼得·库克均为最佳主角，丽塔·塔欣厄姆,拉尔夫·理查德森,彼得·库克以精彩演技和突出形象，奠定在英国影坛地位。丽塔·塔欣厄姆,拉尔夫·理查德森,彼得·库克饰演角色造型多年后仍为人所模仿。理查德·莱斯特之前曾被人怀疑其能力，而《坐卧 两用室》却奠定理查德·莱斯特喜剧片风格。《坐卧 两用室》首映时曾获海外喜剧片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1969年代）英国（英国）优秀喜剧片齐名。
二、被称为喜剧片的开先河之作的《坐卧 两用室》，是理查德·莱斯特最好的作品吗?
从理查德·莱斯特斩获喜剧片最佳导演 我就觉得这部《坐卧 两用室》是他最好的喜剧片。虽然理查德·莱斯特后来还拍出来了评价特别好的喜剧片，但是《坐卧 两用室》是他喜剧片的代表作品。
三、《坐卧 两用室》为什么可以成为经典？
提起英国，人们就肯定会说出《坐卧 两用室》的名字。这部由理查德·莱斯特导演，丽塔·塔欣厄姆,拉尔夫·理查德森,彼得·库克主演的《坐卧 两用室》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连理查德·莱斯特导演和丽塔·塔欣厄姆,拉尔夫·理查德森,彼得·库克，都没想到这部喜剧片会得到这样好的反响。理查德·莱斯特先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《坐卧 两用室》开拍之前，丽塔·塔欣厄姆,拉尔夫·理查德森,彼得·库克已经有几年年无戏可拍，而丽塔·塔欣厄姆,拉尔夫·理查德森,彼得·库克主演的喜剧片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在喜剧片中投入的热情，是我们难以想象的，其实《坐卧 两用室》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典喜剧片，也成就了他们自己！
四、如何评价《坐卧 两用室》?
《坐卧 两用室》口碑非常好深受广大观众喜爱，《坐卧 两用室》一经播放立刻引来无数人点赞，不仅丽塔·塔欣厄姆,拉尔夫·理查德森,彼得·库克演的好而且该喜剧片故事情节也非常紧凑，超人影院-免费看电影电视剧的网站-最新影视大全在线观看（superprimeestates.com）观看起来特别流畅同时还能扣人心弦，虽然目前《坐卧 两用室》收视率一般但是该片目前受欢迎程度已经名列前茅。该喜剧片主演丽塔·塔欣厄姆,拉尔夫·理查德森,彼得·库克，她在该喜剧片中的演技可圈可点，受到丽塔·塔欣厄姆,拉尔夫·理查德森,彼得·库克演的好而且该喜剧片迷的认可。
五、《坐卧 两用室》喜剧片的主要内容
《坐卧 两用室》是一部喜剧片喜剧片，由导演：理查德·莱斯特执导，主演：丽塔·塔欣厄姆,拉尔夫·理查德森,彼得·库克
《坐卧 两用室》这是Richard Le ster最好;+ 的一个片。 An absurdist =@cl (ass!.ic Th!is is a wonderful s:%,@ urre_;a#[`l comedy ba sed o! n the pl:$a#y by Sp?)(ike Milliga).n`- and[^[ John Antrobus. You know that+ it is ;*\going ??to,. be an odd]^$ film ;right at the `+ begi nning, w.! *hen the open[ing credits l ist the%@ cas`)t@ in order $-\of their height. T)=he film b$$:egins \ with the BBC!. ^(F`.rank Thornto;][n) telling us th: * roug *h ^th$e f]ac?:.(a *:( d/ e of an@ ol d televis( ion th/# at th!!is is th; e thir ^ d, or ((is it* ,- :,the*% fo[@urth, a # nnivers -a_.ry of t#:he shor-/?t$e(st w\@!a r in history, la,\;sting 2 hours a$ ) $nd 28 m`inutes. ^Eng`land # @%is now a ba -rr* en*. landscape^! --, littered wi th derelict_! c* ?`@ars/*[ / , and ;$bui] l.dings, hills of=+ old boo+ts, ,broken crockery, and other debris. Forty milli)+ on p eople peris #hed .- a!)nd _^)there are only)^_ 2^0 k!*n, own survivors. The Qu?een did not s]`urv $/ive, and of`? the 20- know.n survivors the nex ? t@ =]: in l.\.ine for*- ,?the ;throne !-@is =-[a Mrs Ethe $ )l Sc^hroake of 393a H ! igh Stre#et, Leytonstone. Among# the other survivors are R` =alph Ric]^[ hardson (O Lucky Ma;; n!* )) as Lo$rd Fortn:`_um o)\f;, Alamein, who is::n't looking f$ \orwa+ rd to his impendi%*ng mutat$ion in $(to ; a bed sitting room. M+icha?el $++Horder ]n is Bules Martin, who wears ?a 18--$`car at H: #ovis br#ead !r)@,ing. Spi _-ke: Milliga.[n : is a postman( w ^ho wan de]] rs ;\, a-r$ound and deliver:s some m(:emor(=#ab le %dialo g ` ue?$, for+ examp@:/le And _` in come the three^/ bear;+#s - th%[e daddy bear said, 'Who's)# been sleeping in my porr] idg (e') / - %` #and ?th(e mumm y bear sa( id, 'that' s!% no porridge,)! that was ;( my wi ;fe' .; Arthur Lo) we ;i`?s s(+lowly turni\ng into a parrot (whic; h +\ is then e ^aten by :/Spike Milligan), wh,]`+i \le his=] wife, t,`he ow.#ner# .]of her o;`.^wn dea th certifica\#=te, t\#urns into a w_ardrobe. H ! is daugh;/(ter is pre?`gna=$,nt %=w^/;i t)[+@)h a stra nge creature, whic*@#h she has-. held $+ ins=ide ] _her for seventee+?n m?(onths. / Peter Coo \k ]and Dudley Moor$e are $a pair of policemen who+ perpet@_ua#?lly tell the \ others to keep moving,,!. Moore growl@+^s # a lot an`d turns@ into a dog at the end. Marty Feldman is a wellington-boot-)w@e @` arin g nurse. I=%t)%;!'s a hilari%.ous, absurdist treat,?: and %one of my tre asur;)_-e -d fi- lmic ple[ a`sures.