等待!方舟

等待!方舟

科幻片 / 1985 / 其它 / 其它

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今日 489 播放 · 本周 47 · 本月 179

导演皮奥特尔·舒尔金

主演耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

Set in an underg),ro und dungeon inhabited by bundled, ragg]_ed human bei (ngs*, after the nucle\a#r holocau$ st. The +]story foll:\ow/+s _%the\ w?;:?andering-) s of a h ero through:_= the s?it .-ua])tions o@f surviv)al. People wait for the A.[*rk + ^to arr*$ive .:and rescue them while their (hab:#[,itat falls apa]rt.  Delving deep int:,o the d!(: usty- and  l^;ong* abandonded vaul: ^;ts of #b-cinema in sea=]rch of( los\ t -`;gems =always  (lea;v.es me with a bittersweet t$a#s te. On one hand t?\he d:@isco$very_^ of un expected ge//ms where no on[/e wo$uld think them poss??ib=le is a rewa_[!rding  ex.)perience. On the other han-%d though it m]^,akes one won(/-,%der ` how many of? the`,se rema.^rkable low@-budget oddities, ;personal love a+_ffairs of directors never =quit; e famo_ ;,*us and %+]!now all but for go t`te),[n, have almost .]fo,`+ rever %/sl^ipped fr@)om memory  n any case #-what we have here is a little post-,_a:pocalyptic -gem fr.om Po ]land that is really better/, than i %t has any right t;o. T/he dystopia`[n near future o?#f O-$)(BI, O-BA finds a%! g^roup of /)s!@?urviv[++ors]%  of the nucl)#ear war that ravaged # t];^he .Earth \$inhabiti _^ng an un@^,derwor:,ld !+$co\ n;_crete bunker a :nd biding thei+!r time as th)@=ey wait for .the myst_?erious Ark, an air $@(s*hip of some kind =that wil.$l _c$^ome and .+_s :a@//+ve them.:_ The Ark! proves t(o be an elaborate(\ hoax, car ^;efully de,signed to gi-$ve## h#]ope t/o the ,[malnourish)`ed \a* nd desp (erate denizens of the bunker, ;/+=w hi.le in the^=$ m[.+eantime the dome tha^-[#t separa^@tes% t,heir mi serable existen` ]c#e from the nuclear wint+@e!/ r out`=s]ide is s%! lowly( cav ing in.  ^What +=first -?+stri?[(ked me abou*\@+t the mo*vie*] is the design?) of th^e bunker a]`nd \the depiction of [)the +survi#,vors. The s*u :r`^vivors are gaunt, filthy_ and terrible!!!-looking penitents, dr+ !essed in== rags ,_`and a^im$lessly w=andering the neo`=]`n-lit h*(a-)-lls o^?\%f the bunker lik]^e ]!a%utoma]tons. The bun@ker is a rundown, seed?y place, with bri g,_ht neon lig ^ht=++^s peer,`ing from [%all si:d^_es like @_the eyes o f malignant beast[\s.  On on%e/ .;@hand it is a sl;-ight ly (+80's depicti ;,/on@  of th$$[e dysto:);pian ^#futu[ re but the movie never stoops down t,(-o MAD MAX ch;eese. Inste+=*(ad it c%ombines biting p)@olitical satire $ wit,h the^(= bleak ^%out%+l,ook / of a .[world with no future, black @?_comedy with barbs=$;;* on apa!thy, religion and po]$we /r. The survivors, for  example,*=`; are fed som=[-e kind of $!`flou*r droppin.(_g from a:?! tu. be t hat hov ]er s in the air - later on we d^?\,iscover?\/ the $f-??*ood /@:!superviso(?r .)uses books and the B*),ibl$e i!#tself a%s fil*l-er for this meagre%=;, mea=/[\l. Ther.e are many +such s`] h]or:^=@t symbolic  $ touches, pe: +rha)ps not life- changi+n@`g[( - o![-r .]fait !h-*),restoring, yet playful, cl#%eve*\r );and inspired.  One#)- thing\ is?/ ::,fo@^?%r sure; =O-@BI\, O-B^;A is; no[)t your run#!-];of-the-m@il/)l .sci-;fi schl_(ock. It overcomes its mo.:*=,d`es_-t budg`?e)t with ++cre:ativity an*)%d ha;@s  g enuine:`[ artistic aspiration^s$ /:-both from a writi@,ng `and!) _ ,(di recting pers?)pecti$ve. (My[@ opini[#o,%`n is that it should h?@a^ve bee,n filmed in black and white i:n stead ]: of colo$(ur t.+houg :;h. The director u_ses a[`$_%tmo spheric$$ l) ight a/n^d shadow to @)grea,t e +ffect.( and$[[ it woul[-d `^have r- egis$t^)ered ev_en bet);ter in stark black/ and wh ; ite. T!)h *e blue-green n_[*eon -on !the other hand outstays i^ts welco+__me,  after /).a w-`hile. Just a mino#!?/r gripe in -/an other`wise solid b-mov.ie with its heart_ set in all)=^ the right? \ p*^lace]!*$s.  Ima^?gine a* !less ;/blea=(k THE ROA#D ((.C=?#orm;%ac Mc#Carthy)++ ;.being+[ inje_[cted with the satire and h!umo$ ur o/f DR.STRANGELOVE a%-nd you're g) ,`etti.\ng=/; there.: See it` if ]:you ]=can find it.
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剧情简介

《等待!方舟》讲述的是什么故事?

《等待!方舟》Set in an underg),ro und dungeon inhabited by bundled, ragg]_ed human bei (ngs*, after the nucle\a#r holocau$ st. The +]story foll:\ow/+s _%the\ w?;:?andering-) s of a h ero through:_= the s?it .-ua])tions o@f surviv)al. People wait for the A.[*rk + ^to arr*$ive .:and rescue them while their (hab:#[,itat falls apa]rt.  Delving deep int:,o the d!(: usty- and  l^;ong* abandonded vaul: ^;ts of #b-cinema in sea=]rch of( los\ t -`;gems =always  (lea;v.es me with a bittersweet t$a#s te. On one hand t?\he d:@isco$very_^ of un expected ge//ms where no on[/e wo$uld think them poss??ib=le is a rewa_[!rding  ex.)perience. On the other han-%d though it m]^,akes one won(/-,%der ` how many of? the`,se rema.^rkable low@-budget oddities, ;personal love a+_ffairs of directors never =quit; e famo_ ;,*us and %+]!now all but for go t`te),[n, have almost .]fo,`+ rever %/sl^ipped fr@)om memory  n any case #-what we have here is a little post-,_a:pocalyptic -gem fr.om Po ]land that is really better/, than i %t has any right t;o. T/he dystopia`[n near future o?#f O-$)(BI, O-BA finds a%! g^roup of /)s!@?urviv[++ors]%  of the nucl)#ear war that ravaged # t];^he .Earth \$inhabiti _^ng an un@^,derwor:,ld !+$co\ n;_crete bunker a :nd biding thei+!r time as th)@=ey wait for .the myst_?erious Ark, an air $@(s*hip of some kind =that wil.$l _c$^ome and .+_s :a@//+ve them.:_ The Ark! proves t(o be an elaborate(\ hoax, car ^;efully de,signed to gi-$ve## h#]ope t/o the ,[malnourish)`ed \a* nd desp (erate denizens of the bunker, ;/+=w hi.le in the^=$ m[.+eantime the dome tha^-[#t separa^@tes% t,heir mi serable existen` ]c#e from the nuclear wint+@e!/ r out`=s]ide is s%! lowly( cav ing in.  ^What +=first -?+stri?[(ked me abou*\@+t the mo*vie*] is the design?) of th^e bunker a]`nd \the depiction of [)the +survi#,vors. The s*u :r`^vivors are gaunt, filthy_ and terrible!!!-looking penitents, dr+ !essed in== rags ,_`and a^im$lessly w=andering the neo`=]`n-lit h*(a-)-lls o^?\%f the bunker lik]^e ]!a%utoma]tons. The bun@ker is a rundown, seed?y place, with bri g,_ht neon lig ^ht=++^s peer,`ing from [%all si:d^_es like @_the eyes o f malignant beast[\s.  On on%e/ .;@hand it is a sl;-ight ly (+80's depicti ;,/on@  of th$$[e dysto:);pian ^#futu[ re but the movie never stoops down t,(-o MAD MAX ch;eese. Inste+=*(ad it c%ombines biting p)@olitical satire $ wit,h the^(= bleak ^%out%+l,ook / of a .[world with no future, black @?_comedy with barbs=$;;* on apa!thy, religion and po]$we /r. The survivors, for  example,*=`; are fed som=[-e kind of $!`flou*r droppin.(_g from a:?! tu. be t hat hov ]er s in the air - later on we d^?\,iscover?\/ the $f-??*ood /@:!superviso(?r .)uses books and the B*),ibl$e i!#tself a%s fil*l-er for this meagre%=;, mea=/[\l. Ther.e are many +such s`] h]or:^=@t symbolic  $ touches, pe: +rha)ps not life- changi+n@`g[( - o![-r .]fait !h-*),restoring, yet playful, cl#%eve*\r );and inspired.  One#)- thing\ is?/ ::,fo@^?%r sure; =O-@BI\, O-B^;A is; no[)t your run#!-];of-the-m@il/)l .sci-;fi schl_(ock. It overcomes its mo.:*=,d`es_-t budg`?e)t with ++cre:ativity an*)%d ha;@s  g enuine:`[ artistic aspiration^s$ /:-both from a writi@,ng `and!) _ ,(di recting pers?)pecti$ve. (My[@ opini[#o,%`n is that it should h?@a^ve bee,n filmed in black and white i:n stead ]: of colo$(ur t.+houg :;h. The director u_ses a[`$_%tmo spheric$$ l) ight a/n^d shadow to @)grea,t e +ffect.( and$[[ it woul[-d `^have r- egis$t^)ered ev_en bet);ter in stark black/ and wh ; ite. T!)h *e blue-green n_[*eon -on !the other hand outstays i^ts welco+__me,  after /).a w-`hile. Just a mino#!?/r gripe in -/an other`wise solid b-mov.ie with its heart_ set in all)=^ the right? \ p*^lace]!*$s.  Ima^?gine a* !less ;/blea=(k THE ROA#D ((.C=?#orm;%ac Mc#Carthy)++ ;.being+[ inje_[cted with the satire and h!umo$ ur o/f DR.STRANGELOVE a%-nd you're g) ,`etti.\ng=/; there.: See it` if ]:you ]=can find it.

一、《等待!方舟》是哪一年上映的?

《等待!方舟》是皮奥特尔·舒尔金于1985年拍摄的一部经典科幻片。此片开创其它当代科幻片的先河,《等待!方舟》上映时票房稳坐前三,创下当年纪录。当时耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔均为最佳主角,耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔以精彩演技和突出形象,奠定在其它影坛地位。耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔饰演角色造型多年后仍为人所模仿。皮奥特尔·舒尔金之前曾被人怀疑其能力,而《等待!方舟》却奠定皮奥特尔·舒尔金科幻片风格。《等待!方舟》首映时曾获海外科幻片和媒体广泛称誉,被认为其优秀程度,是足以与同时期(指1985年代)其它(其它)优秀科幻片齐名。

二、被称为科幻片的开先河之作的《等待!方舟》,是皮奥特尔·舒尔金最好的作品吗?

从皮奥特尔·舒尔金斩获科幻片最佳导演 我就觉得这部《等待!方舟》是他最好的科幻片。虽然皮奥特尔·舒尔金后来还拍出来了评价特别好的科幻片,但是《等待!方舟》是他科幻片的代表作品。

三、《等待!方舟》为什么可以成为经典?

提起其它,人们就肯定会说出《等待!方舟》的名字。这部由皮奥特尔·舒尔金导演,耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔主演的《等待!方舟》,在当时,真的是成为了一匹黑马,杀出了一条血路,创造了一个奇迹。为何会这么说,我想,就连皮奥特尔·舒尔金导演和耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔,都没想到这部科幻片会得到这样好的反响。皮奥特尔·舒尔金先生曾说过,这是一群失意的人凑到了一起创作出来的一部作品。因为在《等待!方舟》开拍之前,耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔已经有几年年无戏可拍,而耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔主演的科幻片,票房始终不理想,这样的几个人凑在了一起,也真是缘分!所以,正是这样的失意感和强烈的自尊心,他们在科幻片中投入的热情,是我们难以想象的,其实《等待!方舟》中的人物心理历程和感人的剧情,何尝不是现实中他们的真实写照呢?所以,他们怀着一腔心有不甘的英雄气,用他们的实力和人情成就了这部经典科幻片,也成就了他们自己!

四、如何评价《等待!方舟》?

《等待!方舟》口碑非常好深受广大观众喜爱,《等待!方舟》一经播放立刻引来无数人点赞,不仅耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔演的好而且该科幻片故事情节也非常紧凑,超人影院-免费看电影电视剧的网站-最新影视大全在线观看(superprimeestates.com)观看起来特别流畅同时还能扣人心弦,虽然目前《等待!方舟》收视率一般但是该片目前受欢迎程度已经名列前茅。该科幻片主演耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔,她在该科幻片中的演技可圈可点,受到耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔演的好而且该科幻片迷的认可。

五、《等待!方舟》科幻片的主要内容

《等待!方舟》是一部科幻片科幻片,由导演:皮奥特尔·舒尔金执导,主演:耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

《等待!方舟》Set in an underg),ro und dungeon inhabited by bundled, ragg]_ed human bei (ngs*, after the nucle\a#r holocau$ st. The +]story foll:\ow/+s _%the\ w?;:?andering-) s of a h ero through:_= the s?it .-ua])tions o@f surviv)al. People wait for the A.[*rk + ^to arr*$ive .:and rescue them while their (hab:#[,itat falls apa]rt.  Delving deep int:,o the d!(: usty- and  l^;ong* abandonded vaul: ^;ts of #b-cinema in sea=]rch of( los\ t -`;gems =always  (lea;v.es me with a bittersweet t$a#s te. On one hand t?\he d:@isco$very_^ of un expected ge//ms where no on[/e wo$uld think them poss??ib=le is a rewa_[!rding  ex.)perience. On the other han-%d though it m]^,akes one won(/-,%der ` how many of? the`,se rema.^rkable low@-budget oddities, ;personal love a+_ffairs of directors never =quit; e famo_ ;,*us and %+]!now all but for go t`te),[n, have almost .]fo,`+ rever %/sl^ipped fr@)om memory  n any case #-what we have here is a little post-,_a:pocalyptic -gem fr.om Po ]land that is really better/, than i %t has any right t;o. T/he dystopia`[n near future o?#f O-$)(BI, O-BA finds a%! g^roup of /)s!@?urviv[++ors]%  of the nucl)#ear war that ravaged # t];^he .Earth \$inhabiti _^ng an un@^,derwor:,ld !+$co\ n;_crete bunker a :nd biding thei+!r time as th)@=ey wait for .the myst_?erious Ark, an air $@(s*hip of some kind =that wil.$l _c$^ome and .+_s :a@//+ve them.:_ The Ark! proves t(o be an elaborate(\ hoax, car ^;efully de,signed to gi-$ve## h#]ope t/o the ,[malnourish)`ed \a* nd desp (erate denizens of the bunker, ;/+=w hi.le in the^=$ m[.+eantime the dome tha^-[#t separa^@tes% t,heir mi serable existen` ]c#e from the nuclear wint+@e!/ r out`=s]ide is s%! lowly( cav ing in.  ^What +=first -?+stri?[(ked me abou*\@+t the mo*vie*] is the design?) of th^e bunker a]`nd \the depiction of [)the +survi#,vors. The s*u :r`^vivors are gaunt, filthy_ and terrible!!!-looking penitents, dr+ !essed in== rags ,_`and a^im$lessly w=andering the neo`=]`n-lit h*(a-)-lls o^?\%f the bunker lik]^e ]!a%utoma]tons. The bun@ker is a rundown, seed?y place, with bri g,_ht neon lig ^ht=++^s peer,`ing from [%all si:d^_es like @_the eyes o f malignant beast[\s.  On on%e/ .;@hand it is a sl;-ight ly (+80's depicti ;,/on@  of th$$[e dysto:);pian ^#futu[ re but the movie never stoops down t,(-o MAD MAX ch;eese. Inste+=*(ad it c%ombines biting p)@olitical satire $ wit,h the^(= bleak ^%out%+l,ook / of a .[world with no future, black @?_comedy with barbs=$;;* on apa!thy, religion and po]$we /r. The survivors, for  example,*=`; are fed som=[-e kind of $!`flou*r droppin.(_g from a:?! tu. be t hat hov ]er s in the air - later on we d^?\,iscover?\/ the $f-??*ood /@:!superviso(?r .)uses books and the B*),ibl$e i!#tself a%s fil*l-er for this meagre%=;, mea=/[\l. Ther.e are many +such s`] h]or:^=@t symbolic  $ touches, pe: +rha)ps not life- changi+n@`g[( - o![-r .]fait !h-*),restoring, yet playful, cl#%eve*\r );and inspired.  One#)- thing\ is?/ ::,fo@^?%r sure; =O-@BI\, O-B^;A is; no[)t your run#!-];of-the-m@il/)l .sci-;fi schl_(ock. It overcomes its mo.:*=,d`es_-t budg`?e)t with ++cre:ativity an*)%d ha;@s  g enuine:`[ artistic aspiration^s$ /:-both from a writi@,ng `and!) _ ,(di recting pers?)pecti$ve. (My[@ opini[#o,%`n is that it should h?@a^ve bee,n filmed in black and white i:n stead ]: of colo$(ur t.+houg :;h. The director u_ses a[`$_%tmo spheric$$ l) ight a/n^d shadow to @)grea,t e +ffect.( and$[[ it woul[-d `^have r- egis$t^)ered ev_en bet);ter in stark black/ and wh ; ite. T!)h *e blue-green n_[*eon -on !the other hand outstays i^ts welco+__me,  after /).a w-`hile. Just a mino#!?/r gripe in -/an other`wise solid b-mov.ie with its heart_ set in all)=^ the right? \ p*^lace]!*$s.  Ima^?gine a* !less ;/blea=(k THE ROA#D ((.C=?#orm;%ac Mc#Carthy)++ ;.being+[ inje_[cted with the satire and h!umo$ ur o/f DR.STRANGELOVE a%-nd you're g) ,`etti.\ng=/; there.: See it` if ]:you ]=can find it.

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