米兰九口径

《米兰九口径》讲述的是什么故事？

《米兰九口径》Fernan do- Di Leo's Milano Calibro  /,9 i%s ,/an#
; out-and-out m-:ast].*;erpiece `% of`]/ Italian C r+ime c(inem%a and, in my o
%%*p .)inion
, one of
+[the most astonis)+]hing crime stories ever t`old. +The f^@irst film in Di L]#eo's _*ex*+#\celle/nt ' Mil^(i\eu+' ; trilogy=, M%ilano Calib (,?r@_o 9 was fo/![@llo^_ ]w`e*)#:d b.y L?#a =Mal ,a O ^rdina (aka. Manhunt, also .19%72) a`*nd the brilli a nt Il @![Boss (1973 .). T=h+^ e three f+ilms are no:-]t connected story-wi#+s* e, but !/(all #th=.ree are e -\/_x^%cellen%[t, and highly +)-r,ealistic.` portrayals  of/ organize/%^d%( crime.\# As far as ?I am \]]
concern^ed Manhunt [^is (allthough [`excellent) slightly ] inferior to this one and Il Boss whic)`h b!
./o,\th stan
)d out as,+%\ absolute all-tim$,+e !,
hig#*hlights of crime%]% cinema. Milano Cal[+ ibro 9 is the?%% best of them al[-l, a film th`at: is aston ()is?hin_?g in ])all aspects, b:e it the ingenious plot that,]];/ #!apart from a
] co=`[\mpel , ?ling story and cl?,++ever twist s, (_incl udes?%) so,+?@$cial criticism, the performanc#e
s,@., th;e ^,gritty@[ atm_:#osphere a/nd suspen%se or th:*e b=ri=(`lliant score. I can ha`rdly find the @ right wor[!ds to ex)`press my `admir)ation for thi^s masterpiece w\ *hich$+ easily r],an:-ks am$,?ong the g=$r).eatest Gangster f* licks ever brought =^to screen.　　Gastone Moschin sta- rs as U $go Piazza,. a tou-gh $and `=elliptical ex-con:-v-i*% ct who h*;as just% been re (,l_#)eased[ fro^m prison. Immediately after his] release, U:$go \%is approache*+d by members of t @he Milan@. mob l,`$ead by!-* t,!/=*he] _irascible gangster Rocco =(Mario Ad ]or,f), as they su;
])spect him to be res@/ponsible for!=  the^$ !*$d?isa#p=pearance +!of a large sum o-#f m\%oney belo,ng@ ing  t_o %`^=th; ]e]@ir b@oss%:$*, an A^merican (Lion]el Stander) who controls the organize
)d: c-;rime in M(il[an...　　Milano Ca_ libro 9 i+?s$=_ a film th_?at# delive_rs an astonishingly re-*alist@+`ic mood o!f th%.e underworld like hardl^_^y a?nothe \r. The +=!in)triguin/[g-#? story line goe%s in han) d w it!_h i/nteres\ting characters[
, raw at_)mosphere, suspense and @ br %]eathtaking@
acti`= ^on, soc$[\ial criticism a;!(nd brutal violenc,-;e. The film is simply stunning 
\from the begi
[@nning to the end, w[hich i$`.s even+ intensi@fi`ed by/ the brilliant s#%core, a col$labora  .tion of the famous^
?, comp/
`oser Luis Enríq[^ uez-. Bac)a@?lov and th e!\ Italia; +n Progressive Ro ck band) Osa=?#nn [-=a. Ugo Piazza must be!) one of the most ?!c*ha )]rism_atic g,angster characters ever in cinema, and
$ Ga=!sto+%,ne Mosch%in was the`  pref=?$ect choice f
or the role. Mosch%(in d #el#ivers a ?b;ri:lli[a\*@nt per@formance, and the res t of the?? cast is also:* great. Mario :==-Ador!_;@f /-is; irascible like )#a rabid ,`d+! og as the  fe 
:#r#ocious g(.^an/!gster Roc(*co_, a )r^*`ole that f*]%its him( lik_)e a #glove. The great Lion*el St;]a%@n,der@] fits perf\,#ectly in h+is role of th`e A@%merican M@@afia Don.　　Th)%e two cop cha ^.racters i:`n the film,: are played+ .,-]b%=y two of the grea@?#tes]+-t regula@. rs (?of I#ta ..lian g:$ en( re-cine 
ma, .$Luigi Pistill`i and Frank Wolff) (wh`-:o com_$mitted sui
#,]cide be?f$or)
e  $-the fil]m wa%s released). The% r.+\avis)@hin;g.+- Barbara Bouchet is astonishing - and / incred+/ibly se [ ]xy in,= the ro le of U;,go Piazz^.)a's strip] !per girlfrien;d. Bouchet i-s both a stunning be,@auty an/*d- @)an excellent (actress ?[_and .thi*s is dou`btlessly one of%@ her mo+)(%st memorab] #l[\e roles!/),. Thi?s is )al_so a politic\al film and director Di L
!#]eo embedded a;= lot of so)(cial criticism abo\;ut t*#.opics l=#ik^/e co/r#ru@
*p$=tion. This film simply has ev_^erythi`#ng- ^,one c`an p ossi-bly d-esi_.=re in cinema. Films li ?`ke Milano C^[ali:b+[r%`!o 9= are ]`  %the ?rea] (son why I lo:,ve cin
ema. This @,is a-.-n \]
abso;lu^te masterpie `_
ce in a\\ll regard#s+) @+;and, wit*+ho
u!t e ^ 
xaggeration, +one o[f the greates==! t Crime flick/ $s ev@`er -%made! The ingeni@ous?] op$(e#@ning  scene alone (=is m
ore m:@emorable) than most films .`-ge%]t \in tw ]=o hours.

一、《米兰九口径》是哪一年上映的？

《米兰九口径》是费尔南多·迪·莱沃于1972年拍摄的一部经典动作片。此片开创其它当代动作片的先河，《米兰九口径》上映时票房稳坐前三，创下当年纪录。当时加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫均为最佳主角，加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫以精彩演技和突出形象，奠定在其它影坛地位。加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫饰演角色造型多年后仍为人所模仿。费尔南多·迪·莱沃之前曾被人怀疑其能力，而《米兰九口径》却奠定费尔南多·迪·莱沃动作片风格。《米兰九口径》首映时曾获海外动作片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1972年代）其它（其它）优秀动作片齐名。

二、被称为动作片的开先河之作的《米兰九口径》，是费尔南多·迪·莱沃最好的作品吗?

从费尔南多·迪·莱沃斩获动作片最佳导演 我就觉得这部《米兰九口径》是他最好的动作片。虽然费尔南多·迪·莱沃后来还拍出来了评价特别好的动作片，但是《米兰九口径》是他动作片的代表作品。

三、《米兰九口径》为什么可以成为经典？

提起其它，人们就肯定会说出《米兰九口径》的名字。这部由费尔南多·迪·莱沃导演，加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫主演的《米兰九口径》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连费尔南多·迪·莱沃导演和加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫，都没想到这部动作片会得到这样好的反响。费尔南多·迪·莱沃先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《米兰九口径》开拍之前，加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫已经有几年年无戏可拍，而加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫主演的动作片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在动作片中投入的热情，是我们难以想象的，其实《米兰九口径》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典动作片，也成就了他们自己！

四、如何评价《米兰九口径》?

《米兰九口径》口碑非常好深受广大观众喜爱，《米兰九口径》一经播放立刻引来无数人点赞，不仅加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫演的好而且该动作片故事情节也非常紧凑，超人影院-免费看电影电视剧的网站-最新影视大全在线观看（superprimeestates.com）观看起来特别流畅同时还能扣人心弦，虽然目前《米兰九口径》收视率一般但是该片目前受欢迎程度已经名列前茅。该动作片主演加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫，她在该动作片中的演技可圈可点，受到加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫演的好而且该动作片迷的认可。

五、《米兰九口径》动作片的主要内容

《米兰九口径》是一部动作片动作片，由导演：费尔南多·迪·莱沃执导，主演：加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫

《米兰九口径》Fernan do- Di Leo's Milano Calibro  /,9 i%s ,/an#
; out-and-out m-:ast].*;erpiece `% of`]/ Italian C r+ime c(inem%a and, in my o
%%*p .)inion
, one of
+[the most astonis)+]hing crime stories ever t`old. +The f^@irst film in Di L]#eo's _*ex*+#\celle/nt ' Mil^(i\eu+' ; trilogy=, M%ilano Calib (,?r@_o 9 was fo/![@llo^_ ]w`e*)#:d b.y L?#a =Mal ,a O ^rdina (aka. Manhunt, also .19%72) a`*nd the brilli a nt Il @![Boss (1973 .). T=h+^ e three f+ilms are no:-]t connected story-wi#+s* e, but !/(all #th=.ree are e -\/_x^%cellen%[t, and highly +)-r,ealistic.` portrayals  of/ organize/%^d%( crime.\# As far as ?I am \]]
concern^ed Manhunt [^is (allthough [`excellent) slightly ] inferior to this one and Il Boss whic)`h b!
./o,\th stan
)d out as,+%\ absolute all-tim$,+e !,
hig#*hlights of crime%]% cinema. Milano Cal[+ ibro 9 is the?%% best of them al[-l, a film th`at: is aston ()is?hin_?g in ])all aspects, b:e it the ingenious plot that,]];/ #!apart from a
] co=`[\mpel , ?ling story and cl?,++ever twist s, (_incl udes?%) so,+?@$cial criticism, the performanc#e
s,@., th;e ^,gritty@[ atm_:#osphere a/nd suspen%se or th:*e b=ri=(`lliant score. I can ha`rdly find the @ right wor[!ds to ex)`press my `admir)ation for thi^s masterpiece w\ *hich$+ easily r],an:-ks am$,?ong the g=$r).eatest Gangster f* licks ever brought =^to screen.　　Gastone Moschin sta- rs as U $go Piazza,. a tou-gh $and `=elliptical ex-con:-v-i*% ct who h*;as just% been re (,l_#)eased[ fro^m prison. Immediately after his] release, U:$go \%is approache*+d by members of t @he Milan@. mob l,`$ead by!-* t,!/=*he] _irascible gangster Rocco =(Mario Ad ]or,f), as they su;
])spect him to be res@/ponsible for!=  the^$ !*$d?isa#p=pearance +!of a large sum o-#f m\%oney belo,ng@ ing  t_o %`^=th; ]e]@ir b@oss%:$*, an A^merican (Lion]el Stander) who controls the organize
)d: c-;rime in M(il[an...　　Milano Ca_ libro 9 i+?s$=_ a film th_?at# delive_rs an astonishingly re-*alist@+`ic mood o!f th%.e underworld like hardl^_^y a?nothe \r. The +=!in)triguin/[g-#? story line goe%s in han) d w it!_h i/nteres\ting characters[
, raw at_)mosphere, suspense and @ br %]eathtaking@
acti`= ^on, soc$[\ial criticism a;!(nd brutal violenc,-;e. The film is simply stunning 
\from the begi
[@nning to the end, w[hich i$`.s even+ intensi@fi`ed by/ the brilliant s#%core, a col$labora  .tion of the famous^
?, comp/
`oser Luis Enríq[^ uez-. Bac)a@?lov and th e!\ Italia; +n Progressive Ro ck band) Osa=?#nn [-=a. Ugo Piazza must be!) one of the most ?!c*ha )]rism_atic g,angster characters ever in cinema, and
$ Ga=!sto+%,ne Mosch%in was the`  pref=?$ect choice f
or the role. Mosch%(in d #el#ivers a ?b;ri:lli[a\*@nt per@formance, and the res t of the?? cast is also:* great. Mario :==-Ador!_;@f /-is; irascible like )#a rabid ,`d+! og as the  fe 
:#r#ocious g(.^an/!gster Roc(*co_, a )r^*`ole that f*]%its him( lik_)e a #glove. The great Lion*el St;]a%@n,der@] fits perf\,#ectly in h+is role of th`e A@%merican M@@afia Don.　　Th)%e two cop cha ^.racters i:`n the film,: are played+ .,-]b%=y two of the grea@?#tes]+-t regula@. rs (?of I#ta ..lian g:$ en( re-cine 
ma, .$Luigi Pistill`i and Frank Wolff) (wh`-:o com_$mitted sui
#,]cide be?f$or)
e  $-the fil]m wa%s released). The% r.+\avis)@hin;g.+- Barbara Bouchet is astonishing - and / incred+/ibly se [ ]xy in,= the ro le of U;,go Piazz^.)a's strip] !per girlfrien;d. Bouchet i-s both a stunning be,@auty an/*d- @)an excellent (actress ?[_and .thi*s is dou`btlessly one of%@ her mo+)(%st memorab] #l[\e roles!/),. Thi?s is )al_so a politic\al film and director Di L
!#]eo embedded a;= lot of so)(cial criticism abo\;ut t*#.opics l=#ik^/e co/r#ru@
*p$=tion. This film simply has ev_^erythi`#ng- ^,one c`an p ossi-bly d-esi_.=re in cinema. Films li ?`ke Milano C^[ali:b+[r%`!o 9= are ]`  %the ?rea] (son why I lo:,ve cin
ema. This @,is a-.-n \]
abso;lu^te masterpie `_
ce in a\\ll regard#s+) @+;and, wit*+ho
u!t e ^ 
xaggeration, +one o[f the greates==! t Crime flick/ $s ev@`er -%made! The ingeni@ous?] op$(e#@ning  scene alone (=is m
ore m:@emorable) than most films .`-ge%]t \in tw ]=o hours.